Dodgeball!
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Dodgeball
Grabs Its Nuts By The Balls.
by
Jon Dunmore © 15 Nov 2005
Ben Stiller's best roles have been the few that have almost
burst his carotid artery through certifiably asinine overacting.
(To date, that would only count Mystery Men, Zoolander,
and cameos in Anchorman:
The Legend of Ron Burgundy and The
Cable Guy - add Dodgeball to that short list.)
His
early 90s comedy series, The Ben Stiller Show, though
a fine showcase for his frenetic talents, was so underrated
and misunderstood that it was actually cancelled first time
outa the gate, only to be reinstated on Comedy Central at
varying intervals. Unfortunately, in his gradual assimilation
into feature film pap, his chunky monkey breadwinner is
his Woody Allen Lite nebbish (Your Friends and Neighbors,
Along
Came Polly, Meet The Parents, et al; hell! - he
even turned David Starsky into a neb!).
Dodgeball
is Stiller's welcome return to artery-busting form, as the
corporate gym owner, White Goodman - entrepreneurial, avaricious,
bombastic Bad Guy to Vince Vaughn's somnolent Pete La Fleur,
who mismanages his own failing gym across the way. White
has designs on merging Pete's fringe-dweller gym with his
own commercial monster conglomerate and will go to any sweat-tainted
lengths to corporately consume it.
In
this film fantasy where an independent, successful, sexy
woman (Christine Taylor, Stiller's real-life wife, playing
Kate the auditor, whom everybody wants to examine "under
the counter"), can fall for a shiftless itinerant like
Pete La Fleur, it is no stretch to discover that the only
way La Fleur can raise money to save his gym is to enter
a Dodgeball tournament with a cadre of his willing (though
untrained) gym patrons. Due to the movie taking itself about
as seriously as the inflated bulge in White Goodman's jockstrap,
we go along for the ride.
Hank
Azaria and Rip Torn camp it up as young and old versions
of legendary Dodgeballer, Patches O'Houlihan, whose methods
of training La Fleur's dysfunctional, ubergeek squad would
give any man pause for scrotal reflection.
The
tournament itself action-packs the last half hour of film,
and climaxes with Pete and White facing off (- how'd you
guess? You must be psychic!). During the game-play, director
and writer, Rawson Marshall Thurber cannily transfers the
volley of humor, which rested upon the main cast - who has
now taken to the Dodgeball court - to the broadcast commentators,
Cotton McKnight and Pepper Brooks (Gary Cole and Jason Bateman,
hamming their roles with a vengeance and a copy of the Insensate
Drivel Handbook).
Any
movie artful enough to tweak audiences into investing their
alliance in a misfit dodgeball team has more going for it
than just hot chicks and scrotum jokes. Who outside of the
sixth grade even knew this sport still existed in mankind's
repertoire? Anxiety churns my blood, for the internet can
so easily resolve this mystery, yet I dare not make the
connection, for I fear I will either discover a horror so
demeaning that it will debase my already staggering lack
of faith in humanity's intelligence quotient, or - L. Ron
Hubbard have mercy! - I may suddenly embrace the urge to
squoze my scrote into a purple unitard and take one on the
face for the team - and if that image doesn't get your carotid
artery throbbing, it's already burst...
END
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