Flight
of Fancy.
by
Jon Dunmore © 5 Jul 2006.
Note to director Peter Markle: if you're going to create a
tribute to nobodies who become somebodies due to an airline
tragedy, if you're going to grease the wheels of racism and
jingoism with agitprop, if you're hoping to effectively manipulate
and exploit the charged emotions of your audience - don't
use a toy plane for your exterior shots!
Chronicling
the events that might have occurred onboard United Airlines
Flight 93 on September 11, 2001 (the flight that Al Qaeda
probably refer to as "the one that got away"),
the television movie Flight 93, written by Nevin
Schreiner, has all the earmarks of media created for inserting
aspirin ads between: television actors vying at Oscar nods
for their crying scenes, unnecessarily unsteady handheld
camerawork to compensate for the small-screen lack of verve,
all the characters from upper middle class neighborhoods,
cherishing their idyllic lives of whimsy - car commercial
-
Flight
93 is a far cry from the distanced objectivity and smooth
tension of Paul Greengrass' theatrically-released United
93 (Apr 2006). This movie is less a document on
what might have transpired that day as what Americans would
like to have transpired, to paint their dead relatives
as red-white-and-blue as possible.
This
jumble of crassness would retain more credibility and tragedy
were it not for the insistence of the media and families
of the deceased in forcing the mantle of "hero"
onto the departed, and disparaging anyone who would challenge
their re-wrought aesthetic on heroism.
In
a society that defines its heroes by the number of touchdowns
or home runs they score, it becomes second nature to endow
that appellation on people actually doing something worthwhile,
like battling for their lives (despite the fact that that's
tangential to heroism).
The
current definition of heroism now encapsulates twenty guys
rushing one teenager with a box-cutter and a fake bomb,
and after discovering the bomb to be fake, still beating
the teenager to death - heroically, of course - with no
trial. (Whether
this happened or not, we will never know, yet the knee-jerk
vengeance perpetrated in the film is applauded.) A hero
can also be defined as someone remaining in their seat and
whimpering, as many of the women did. And in blanketing
everyone onboard Flight 93 as a hero, I guess that includes
the pilots and passengers who were stabbed to death before
the action even got underway, whose only contribution to
the cause was, "Hey, wait a minute - urk!"
And
anyone who doesn't acquiesce to terming these people "heroes"
is a terrorist themselves. That's mighty white of America.
Say
what you will about the terrorists (I'm sure you do), but
they brought a certain unity to families that day - let's
face it, any factor that compels that many people to say
"I love you" to one another, must be doing something
along the lines of Christmas - that's the only other time
you'll hear so many insincere sentiments, expressed because
"it's the right thing to say" in deference to
the circumstances. After the fiftieth love proclamation
(ten Chick Flicks back-to-back don't have this many love
proclamations), one could assume that tear-jerking device
was wearing thin, but Markle and Schreiner are intent on
visiting every single passenger's clean home and well-groomed
family unit to stress how monstrous this - bank commercial
-
Insufferably
intrusive music, by Velton Ray Bunch, blankets everyone's
Long Goodbye and is used solely to manipulate your Weeping
Nerve. A strange, repetitive music effect accompanies the
Flight Control Center scenes, which made me want to shoot
the tv.
Meanwhile,
military bases pretend confusion and three 1800 mph F-16s
pretend that they can't catch a 500 mph Boeing 757.
Even
whilst denouncing it as exploitation, this is exactly the
type of biased, redneck media that America thrives on; a
culture which takes anything educative, empowering, enlightening,
tragic or morbid and turns it into mindless B-grade "entertainment."
Whilst the Towers were still upright and smoking, somewhere
in Hollywood, a movie exec's amoral mind was ticking over
with shot angles and how to pitch this disaster as a theatrical
release, while a television exec's mind was simultaneously
projecting how much advertising time he could sell during
a Movie of the Week based on this calamity. Doubt this?
Here's the evidence!
United
Airlines Flight 93 was a tragedy, yes. Unnecessary, yes.
If you want to think of your lost love as a hero, do so.
Don't try to force me to do the same. That's what got us
into this mess in the first place.
END
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