The Achilliad.
©
Jon Dunmore, 19 Oct 2005.
All
bronzed bicep, leonine mane and CG soldiery, Troy is a glut-fest of regal posturing
and battle-flavored man-stench. Coax
golden-skinned, Bally-gymed Brad Pitt into a taut-buttocked mini-skirt for your
movie, and Homer's Iliad be damned. Compressing the backstory of the ten-year
siege of Troy into one week, all deities, dogma and details are eschewed for ant-battles
between computer warriors and camera-caressing of Pitt's Achilles.
Hardly-shaving
Orlando Bloom is Prince Paris, who steals away a plain-ish Helen of Troy née
Sparta (Diane Kruger), giving King Agamemnon (Brian Cox, elocuting like a serpent)
excuse to hurl Greece's full might against the battlements of Troy, the last bastion
of the Known World left to conquer. Performances
such as Eric Bana's stalwart Prince Hector, Peter O'Toole's doddering King Priam,
Brendan Gleeson's ogreish Menelaus, Sean Bean's astute Odysseus, and intelligently
crafted fight choreography for the mano a mano duels all serve to elevate
this movie above that of trite action blockbuster to that of Guilty Pleasure Trite
Action Blockbuster. Still
wondering why actors in Greek or Roman movies - in an attempt to sound more "authentic"
- adopt a British accent
Guess Richard Burton has a lot to answer
for.
END
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