THE BELLBOY

Poffy The Cucumber

Catching Charlie. Jerry Lewis at last pulls even with one of his heroes – the great Charles Chaplin – as he fulfills all the roles that Charlie used to fill in his movies: writer, director, producer, editor, star. And SILENT. THE BELLBOY is a triumph for Jerry Lewis – in all the disciplines cited above. Though he had worn various … Read More

THE GEISHA BOY

Poffy The Cucumber

Jerry finds Charlie. Jerry Lewis channels Charlie Chaplin in GEISHA BOY, his very own homage to Chaplin’s classic, THE KID. Not only does Jerry find his footing with a finely-tuned balance between drama and comedy – something he was striving for in his last three solo pictures – he also stops being racist! (Since his second film in 1950, Jerry … Read More

ROCK-A-BYE BABY

Poffy The Cucumber

When the bough breaks… Jerry Lewis tries to fulfill the roles of both Dean Martin AND Jerry Lewis in this lurid tale of deceit and obsession disguised as family farce, where an unwed Hollywood starlet secretly leaves her new triplets in the care of her childhood sweetheart in a small town, to avoid scandal. The highest hurdle for 1958’s ROCK-A-BYE … Read More

THE SAD SACK 1957

Poffy The Cucumber

Sad. THE SAD SACK is Private Meredith Bixby (Jerry Lewis), an inept dogsbody who is, for his mechanical skill, given the chance to succeed in the military by a female major, who orders another Private to surreptitiously shepherd Bixby through adversities, such as everyday life in the military. The title might imply someone moping around like a killjoy – which … Read More

HOLLYWOOD OR BUST

Poffy The Cucumber

A Road Movie for the End Of The Road. Dean walked one way, I walked the other, and we never saw each other again. — Jerry Lewis, on the final Martin and Lewis show at the Copacabana New York, 1956. Way back in their second film, MY FRIEND IRMA GOES WEST (Jul 1950), Dean Martin and Jerry Lewis boarded a … Read More