Latin remake for a new audience… of rich white people. I love Andy Garcia. I’d watch him in any piece of crap. Even crap like FATHER OF THE BRIDE, the 2022 Latin remake of Steve Martin’s 1991 upper middle-class remake of the 1950 Spencer Tracy white privilege classic. The story (written by Matt Lopez, THE SORCERER’S APPRENTICE 2010) might have … Read More
THE MULE 2018
Riches and Redemption on the Cocaine Superhighway. Family’s the most important thing. Don’t do what I did. I put work in front of family. I thought it was more important to be somebody out there, than the failure I was in my own home. I was a terrible father, a terrible husband. I blew my chance. I didn’t deserve forgiveness. … Read More
RIO 2
Flocking dork and deceitful bitch road trip. Jesse Eisenberg has two speeds: superdork nebbish and fast-taking schemer. In RIO 2, he’s phoning it in as the former. Eisenberg returns as rare macaw parrot Blu, who is now married to his parrot love interest from RIO, Jewel (voice of Anne Hathaway), so there is a noticeable lack of the romantic frisson … Read More
OCEAN’S THIRTEEN
Lucky Number Thirteen. Like a rehabilitated version of its two retarded brothers, OCEAN’S THIRTEEN is still eye-candy (primary colors and insatiable set dressing screams at us within the opening five minutes), it is still big band bop underscoring a lavish, hedonist production, it is still man-toys squirming their taut butts through unutterably outlandish scenarios – but this time ‘round, the … Read More
SMOKIN’ ACES
It’s a mad mad mad mad assassination. The logic precept Occam’s Razor tells us that “Plurality should not be posited without necessity.” In other words, “Simpler is better.” But SMOKIN’ ACES fell asleep during physics class and won’t go near any logic precepts. A walloping actioner with way too much exposition, there is more unnecessary dialogue here than in the … Read More
OCEAN’S TWELVE
“1 Louder” Than Ocean’s Eleven. Sesame Street is having an aneurysm over this movie’s slogan: “Twelve is the new Eleven.” Having nailed the formula down pat with OCEAN’S ELEVEN – ridiculously implausible action and pulp coincidences, snide and smarmy rock soundtrack (evoking a Guy Ritchie élan), smash-cuts and wobbling steadicams, overlapping, smartass dialogue, and A-List megastars glutting all 70 millimeters … Read More
OCEAN’S ELEVEN
Whatchoo talkin ’bout, Cheadle? As the Academy of Motion Picture Arts and Sciences (and every other provincial, back-slapping institution for the purveyance of “arts”) quite often does, another faux-prestigious award needs to be invented for the sole purpose of giving it to just one guy: The Most Embarrassing Fake British Accent Of All Time – awarded to Don Cheadle in … Read More