GODZILLA: KING OF THE MONSTERS 2019

Poffy The Cucumber

A retconned Godzilla for a short attention span fandom. A Scientist is reanimating monsters (nay, “titans”) from subterranean hibernation around the globe, to bring balance to Earth’s environment through their radioactivity. (Get it? They’re being “woke” in more ways than one.) A titan named Ghidorah makes all the others do his bidding, causing them to destroy rather than renew. Too … Read More

GET OUT

Poffy The Cucumber

… because a black mind is a terrible thing to waste. You know what they say: You’ll always remember your first time – with a black man. In a startling writer-director debut, Jordan Peele’s arm-gripping thriller GET OUT is a renaissance for the horror genre. But it won’t do shit for race relations. Chris is about to meet his girlfriend … Read More

THE CABIN IN THE WOODS

Poffy The Cucumber

A Hip New Reason for Tired Old Slayings. THE CABIN IN THE WOODS is about four painfully pretty college kids (and one Shaggy) being slasher-slain by zombies at said cabin. Seen it all before, right? But there’s a twist: the cabin is a front for a religious cult, who are in the business of luring college kids to this technologically … Read More

PHILADELPHIA

Poffy The Cucumber

Lawyers cutting back door deals. Let’s face it – Tom Hanks probably caught AIDS at that BACHELOR PARTY. In PHILADELPHIA, Hanks is Andrew Beckett, a young gay lawyer (not pejoratively, as in “all lawyers are gay” – literally). His life is good; his law firm entrusts him with a primo case and brings him into the bigwig fold of Conservative … Read More

BILLY MADISON

Poffy The Cucumber

For Moron Eyes Only. Billy Madison is the type of mungo film experience that leaves one speechless on how a film of this lowbrow nature could ever have been greenlit. The answer, of course, is because that champion of dullards was involved – Adam Sandler, playing the eponymous Billy Madison with every ounce of talent the christian god forgot to … Read More

A PERFECT WORLD

Poffy The Cucumber

A Perfect Vision of an Imperfect World. Nature versus nurture. Fathers versus sons. Justice versus The Law. T-bones versus tater tots. The power of Clint Eastwood’s films has always come from Eastwood’s bravado in addressing moral ambiguity. (Even his death-dealing avenger films – the DOLLAR trilogy, JOSEY WALES, the DIRTY HARRY series, etc. – are so powerful not because of … Read More