GET OUT

Poffy The Cucumber

… because a black mind is a terrible thing to waste. You know what they say: You’ll always remember your first time – with a black man. In a startling writer-director debut, Jordan Peele’s arm-gripping thriller GET OUT is a renaissance for the horror genre. But it won’t do shit for race relations. Chris is about to meet his girlfriend … Read More

THE CABIN IN THE WOODS

Poffy The Cucumber

A Hip New Reason for Tired Old Slayings. THE CABIN IN THE WOODS is about four painfully pretty college kids (and one Shaggy) being slasher-slain by zombies at said cabin. Seen it all before, right? But there’s a twist: the cabin is a front for a religious cult, who are in the business of luring college kids to this technologically … Read More

PHILADELPHIA

Poffy The Cucumber

Lawyers cutting back door deals. Let’s face it – Tom Hanks probably caught AIDS at that BACHELOR PARTY. In PHILADELPHIA, Hanks is Andrew Beckett, a young gay lawyer (not pejoratively, as in “all lawyers are gay” – literally). His life is good; his law firm entrusts him with a primo case and brings him into the bigwig fold of Conservative … Read More

BILLY MADISON

Poffy The Cucumber

For Moron Eyes Only. Billy Madison is the type of mungo film experience that leaves one speechless on how a film of this lowbrow nature could ever have been greenlit. The answer, of course, is because that champion of dullards was involved – Adam Sandler, playing the eponymous Billy Madison with every ounce of talent the christian god forgot to … Read More

A PERFECT WORLD

Poffy The Cucumber

A Perfect Vision of an Imperfect World. Nature versus nurture. Fathers versus sons. Justice versus The Law. T-bones versus tater tots.The power of Clint Eastwood’s films has always come from Eastwood’s bravado in addressing moral ambiguity. (Even his death-dealing avenger films – the DOLLAR trilogy, JOSEY WALES, the DIRTY HARRY series, etc. – are so powerful not because of his … Read More