Not all there. It’s the biggest Andy Kaufman joke ever played on the public, not played by Andy Kaufman. Joaquin Phoenix takes Hollywood on a long ride in I’M STILL HERE, by proclaiming he is retiring from acting and starting a career in rap music. And Hollywood buys it. It’s a strange animal, this film, because it was originally sold … Read More
INTERSTELLAR
Odyssey Three: When Surfer Dudes Boldly Go… In his 2014 Oscar speech, Matthew McConaughey told us his hero was “himself, in ten years’ time.” Everyone thought he was a narcissistic jackass. Until INTERSTELLAR, when he travels to the future through a wrinkle in time and meets – himself! Standing lofty on the shoulders of 2001: A SPACE ODYSSEY and CONTACT, … Read More
GOOD WILL HUNTING
Beautiful mind versus beautiful beard. All hail the *intelligent* screenplay! GOOD WILL HUNTING pairs “Bahston” boys Matt Damon and Ben Affleck in their first, and arguably most powerful, bromance to date (excepting maybe their turns as marauding angels in Kevin Smith’s DOGMA); written by Damon and Affleck, who deserve every inch of their little gold man (Best Screenplay 1998), a … Read More
THE ASSASSINATION OF JESSE JAMES BY THE COWARD ROBERT FORD
The Shooting of an Olde Worlde Epic by a New World Filmmaker. This classical western draws us into 1800s Americana so richly that we feel our teeth rotting from lack of dentistry not invented yet. Written and directed by Andrew Dominik (from a book by Ron Hansen), THE ASSASSINATION OF JESSE JAMES BY THE COWARD ROBERT FORD is a study … Read More
GONE BABY GONE
View to a Hammock. Casey Affleck (Ben’s bro) stars in this controlled, sober, slightly disturbing thriller. From a novel by Dennis Lehane, Ben Affleck makes gravy in his directorial debut, about a redneck daughter’s kidnapping on the mean streets of Boston. And how his sleepwalking brother saves the day. Surrounded by intrigue and Ed Harris as a detective and Morgan … Read More
OCEAN’S THIRTEEN
Lucky Number Thirteen. Like a rehabilitated version of its two retarded brothers, OCEAN’S THIRTEEN is still eye-candy (primary colors and insatiable set dressing screams at us within the opening five minutes), it is still big band bop underscoring a lavish, hedonist production, it is still man-toys squirming their taut butts through unutterably outlandish scenarios – but this time ‘round, the … Read More
OCEAN’S TWELVE
“1 Louder” Than Ocean’s Eleven. Sesame Street is having an aneurysm over this movie’s slogan: “Twelve is the new Eleven.” Having nailed the formula down pat with OCEAN’S ELEVEN – ridiculously implausible action and pulp coincidences, snide and smarmy rock soundtrack (evoking a Guy Ritchie élan), smash-cuts and wobbling steadicams, overlapping, smartass dialogue, and A-List megastars glutting all 70 millimeters … Read More
OCEAN’S ELEVEN
Whatchoo talkin ’bout, Cheadle? As the Academy of Motion Picture Arts and Sciences (and every other provincial, back-slapping institution for the purveyance of “arts”) quite often does, another faux-prestigious award needs to be invented for the sole purpose of giving it to just one guy: The Most Embarrassing Fake British Accent Of All Time – awarded to Don Cheadle in … Read More