Koo-Koo Eleven. They’re not master thieves – they’re ex-paratroopers. And they’re going to rob five Las Vegas casinos. Koo-koo, baby! Frank Sinatra is Danny Ocean in OCEAN’S 11, a breezy heist flick that is too cool for its own Camel filtered cigarette, too slick for its own Brylcreemed pompadour, too koo-koo kutchoo for its own swingin’ hep cats. Like his … Read More
OCEAN’S THIRTEEN
Lucky Number Thirteen. Like a rehabilitated version of its two retarded brothers, OCEAN’S THIRTEEN is still eye-candy (primary colors and insatiable set dressing screams at us within the opening five minutes), it is still big band bop underscoring a lavish, hedonist production, it is still man-toys squirming their taut butts through unutterably outlandish scenarios – but this time ‘round, the … Read More
OCEAN’S TWELVE
“1 Louder” Than Ocean’s Eleven. Sesame Street is having an aneurysm over this movie’s slogan: “Twelve is the new Eleven.” Having nailed the formula down pat with OCEAN’S ELEVEN – ridiculously implausible action and pulp coincidences, snide and smarmy rock soundtrack (evoking a Guy Ritchie élan), smash-cuts and wobbling steadicams, overlapping, smartass dialogue, and A-List megastars glutting all 70 millimeters … Read More
OCEAN’S ELEVEN
Whatchoo talkin ’bout, Cheadle? As the Academy of Motion Picture Arts and Sciences (and every other provincial, back-slapping institution for the purveyance of “arts”) quite often does, another faux-prestigious award needs to be invented for the sole purpose of giving it to just one guy: The Most Embarrassing Fake British Accent Of All Time – awarded to Don Cheadle in … Read More