Tripping the Bitch Fantastic! It’s that floating thing. At the Troubadour. That’s what sells ROCKETMAN, a “musical fantasy” of Elton John’s rise to stardom. That metaphorical moment when time stops, and artist and crowd levitate in slow motion simpatico. It’s happened to me. And if you are a performer, it’s happened to you, once, twice, maybe three times in your … Read More
FANTASTIC FOUR 2015
Mo’ dark, mo’ fantastic. I honestly don’t see the problem with the maligned 2015 reboot FANTASTIC FOUR, the dark rendition of Marvel’s longest-running superhero team (first published 1961). Good acting, strong themes (involving family, alienation and teamwork), and an eerie discomfiture surrounding the unearthly “powers” of the protagonists, rather than blind, childish, do-gooder acceptance. And featuring the barbecue-rib guy from … Read More
SNOWPIERCER
Noah’s Ark and Lang’s Metropolis on a Midnight Express. SNOWPIERCER will make you question your place in society, the innate class system that drives humankind, and the ultimate meaning of freedom. It will also make you question what the hell Chris Evans is doing actually Acting and not just flexing his bulge-ceps to score all-American hooers. Evans is Curtis, a … Read More
DEFIANCE
In defiance of stereotypes. In the movie KNOCKED UP, five Jewish friends trying to score in a night club talk about the credibility of Jews being raised by one man: “If any of us is gonna score tonight, it’s because of Eric Bana in MUNICH.” Soon they’ll be talking the same way about Daniel Craig in DEFIANCE… 1941: during World … Read More
JUMPER
Jumping The Snark. Hayden Christensen has learned a lot from being a Jedi. In JUMPER, he’s learned how to teleport. He’s learned how to rob banks by teleporting directly into their vaults. He’s also learned how to pick up women by playing the exotic erotic. Unfortunately, he still hasn’t learned how to act. Well, that’s not exactly true. He’s progressed … Read More
FLAGS OF OUR FATHERS
Raising Glory: the sham behind the glam. When the legend becomes fact, print the legend. – Reporter, THE MAN WHO SHOT LIBERTY VALANCE (1962). Director Clint Eastwood‘s waving-flag film is, ironically and thankfully, the farthest from a Flag Waving maroon-necker as a post 9-11 American movie can be. When I learned of this film’s production last year, I admit to … Read More
KING KONG 2005
Yes! We Have No Bananas! Pure entertainment. Twenty-five hairy-bottomed, big-dumb-galoot feet of it. And nothing else. Despite the ubiquitous refrain of beauty and beast subtexts and alienation metaphors and caveats against taming nature, searching for deeper meaning within this wholly implausible tale will only lead to senseless cavil and being considered the big ponce for taking it so seriously in … Read More