Milli Godzilli. Godzilla takes a bite out of The Big Apple. And Ferris Bueller is there to stop him. After Japan’s Toho Company killed off its greatest property in 1995’s GODZILLA VS. DESTOROYAH, TriStar Pictures sought to fill the vacuum with its own American Godzilla that would blow the Japanese version out of the water, by utilizing state-of-the-art CGI visual … Read More
MISSION: IMPOSSIBLE
Cruisin’ for a Contusion. Tom Cruise is espionage agent Ethan Hunt, in the big screen reboot of the 1966 television series, MISSION: IMPOSSIBLE, who has to go rogue against his own agency to weed out a mole. But the agency thinks it’s him! (I don’t blame them – with that insufferable smirk and that mole-ish snout of his.) Nonetheless, man-toy … Read More
LEON
Angel and the Bad Man. If cuteness has a forbidden name – then, oh Christ! It must be Natalie Portman! If loving this 12-year-old is wrong, I don’t wanna be right. Or in jail. LÉON (aka THE PROFESSIONAL) is writer-director Luc Besson‘s masterpiece. For its poignant paintings of shadowy souls in conflict with themselves and each other; for its dynamite … Read More
COUPLES RETREAT
Club Med(iocre). “Holy shit – this looks like a screensaver!” That’s the funniest laugh-out-loud line in COUPLES RETREAT, delivered by Jon Favreau when the cast arrive at their paradise resort – but it also describes the energy level of this dull excursion into the high maintenance of couplehood. Three couples (Vince Vaughn and Malin Akerman, Jon Favreau and SEX AND … Read More
FRENCH KISS
French Crass. When one is in love one begins by deceiving oneself, one ends by deceiving others. That is what the world calls romance. — Oscar Wilde, “The Picture of Dorian Gray.” Kate’s (Meg Ryan) love-of-her-life, Charlie (Timothy Hutton) travels to France, where he meets his love-of-his-life (Suzan Anbeh), and leaves Kate. Misbegotten, forlorn, neurotic, rudderless Kate pursues Charlie to … Read More
THE DA VINCI CODE
The Gospel According to Fluke. Christians are a gutless lot. Whenever a new fiction dares question their established fiction, they turn into the very backbiting, provincial bigots they accuse everyone else of being. The “new” fiction is Dan Brown‘s novel, The Da Vinci Code. The “established” fiction is How to Murder with Impunity, otherwise known as Common Sense for Dummies, … Read More