THE BELLBOY

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Catching Charlie. Jerry Lewis at last pulls even with one of his heroes – the great Charles Chaplin – as he fulfills all the roles that Charlie used to fill in his movies: writer, director, producer, editor, star. And SILENT. THE BELLBOY is a triumph for Jerry Lewis – in all the disciplines cited above. Though he had worn various … Read More

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VISIT TO A SMALL PLANET

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The Shrinking of Gore’s PLANET. There are parts in VISIT TO A SMALL PLANET where Jerry Lewis astounds us with his physical art, yet that is not enough to save this attempted comedy from an atrocious script that exudes astronomical ignorance, and by that I mean: ignorance in astronomy… or maybe, also…? Jerry is Kreton, from an alien race that … Read More

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THE GEISHA BOY

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Jerry finds Charlie. Jerry Lewis channels Charlie Chaplin in GEISHA BOY, his very own homage to Chaplin’s classic, THE KID. Not only does Jerry find his footing with a finely-tuned balance between drama and comedy – something he was striving for in his last three solo pictures – he also stops being racist! (Since his second film in 1950, Jerry … Read More

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ROCK-A-BYE BABY

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When the bough breaks… Jerry Lewis tries to fulfill the roles of both Dean Martin AND Jerry Lewis in this lurid tale of deceit and obsession disguised as family farce, where an unwed Hollywood starlet secretly leaves her new triplets in the care of her childhood sweetheart in a small town, to avoid scandal. The highest hurdle for 1958’s ROCK-A-BYE … Read More

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THE SAD SACK 1957

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Sad. THE SAD SACK is Private Meredith Bixby (Jerry Lewis), an inept dogsbody who is, for his mechanical skill, given the chance to succeed in the military by a female major, who orders another Private to surreptitiously shepherd Bixby through adversities, such as everyday life in the military. The title might imply someone moping around like a killjoy – which … Read More

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THE DELICATE DELINQUENT

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The Kid Flies Solo! In his first movie without Dean Martin, THE DELICATE DELINQUENT, Jerry Lewis is a youth mistaken for a gang member, taken under the wing of a mentor cop… Time for the public to find out whether The Kid was all he was cracked up to be, or merely one half of a defunct team that needed … Read More

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HOLLYWOOD OR BUST

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A Road Movie for the End Of The Road. Dean walked one way, I walked the other, and we never saw each other again. — Jerry Lewis, on the final Martin and Lewis show at the Copacabana New York, 1956. Way back in their second film, MY FRIEND IRMA GOES WEST (Jul 1950), Dean Martin and Jerry Lewis boarded a … Read More

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ARTISTS AND MODELS

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Comics and comicbooks, cultures and vultures. Colors scream louder than Jerry Lewis dreaming about Vincent the Vulture, catchy songs and willing dames, snappy writing and vivid characters careen at us in this 14th Martin and Lewis musical-comedy farce, ARTISTS AND MODELS. Out-of-work cartoonist Rick Todd (Dean Martin) and unemployed writer Eugene Fullstack (Jerry Lewis) moved to New York City to … Read More

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MONEY FROM HOME

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Martin and Lewis on the money! Honey-Talk Nelson (Dean Martin) is in deep to the mob. To make good on his debt, he is ordered to “fix” a horserace so that the favorite loses. He enlists the aid of his innocent veterinarian cousin Virgil (Jerry Lewis) to dope the favorite, but then falls for the horse’s owner, whilst Virgil falls … Read More

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SAILOR BEWARE

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Kissed Off. Probably the stoopidest Dean Martin and Jerry Lewis musical-comedy, SAILOR BEWARE is about two pals enlisting in the Navy and getting involved in a kissing contest that somehow gives one of them the reputation of a Lothario – even though he is allergic to kissing women. Then it ends before it gets mistaken for a movie. After an … Read More

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MY FRIEND IRMA GOES WEST

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B-characters Bedazzle in B-movie. Dean Martin and Jerry Lewis once again make a B-movie watchable. But only just. In MY FRIEND IRMA GOES WEST, the gang from the first IRMA aim for Hollywood, end up in Las Vegas, and are still barely watchable. Honestly, I don’t know why Paramount Studios insisted on a sequel to the execrable MY FRIEND IRMA … Read More

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PARDNERS

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Partners, Buddies, Pals… at least, onscreen. Jerry and Dean in the Wild West! PARDNERS, the penultimate musical comedy from Martin and Lewis opens with Dean Martin and Jerry Lewis as two aged cowboys named Slim Mosely and Wade Kingsley, in a shootout to retain their property against the marauding Dan Hollis gang, who want to take it by force. Their … Read More

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YOU’RE NEVER TOO YOUNG

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It Never Gets Old… Jerry Lewis, whose whole shtick is “an adult playing a kid,” gets to play an adult playing a kid, in YOU’RE NEVER TOO YOUNG. And Dean Martin, as usual, can’t tell the difference. Jerry is Wilbur Hoolick (of COURSE that’s his name), an aspiring barber, planted with a stolen diamond and then pursued by the diamond … Read More

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3 RING CIRCUS

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Circus of Pain. In the first film appearance of Martin and Lewis, 1949’s MY FRIEND IRMA, Jerry Lewis was “written in” as a sidekick to Dean Martin’s character, who was integral to the plot. 5 years and 11 films later, now Dean is the fifth wheel in 3 RING CIRCUS. Jerry is Jerome “Jerry” Hotchkiss, and Dean is Pete Nelson, … Read More

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LIVING IT UP

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Sham – Wow! Homer Flagg is dying of radiation poisoning. His last wish is to visit New York. An avaricious New York editor, hoping to boost sales of his newspaper, brings Homer and his exclusive doctor on an all-expenses-paid final fling to New York. But Homer’s not really dying. His doctor made up the disease by mistake – and continues … Read More

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THE STOOGE

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Bill and Ted’s Formative Adventure. Well, Dean played Dean, and I played Jerry; we were two different characters, but it was us all the time, including the almost-breakup scene, which was tough for us to do. — Jerry Lewis, INSIDE THE ACTORS’ STUDIO, 1999. THE STOOGE is the Martin and Lewis roman à clef of their rise to glory. Egotistic … Read More

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MY FRIEND IRMA

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Big things have small beginnings… “and introducing Dean Martin and Jerry Lewis” Thus it begins; with an innocuous “and introducing” credit in MY FRIEND IRMA – the comet-across-the-skies film career of the comedy team known as Martin & Lewis. Dean Martin (born 1917; 32 years old at the time) and Jerry Lewis (born 1926; a strapping 23 years old, nine … Read More

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THE CADDY

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The Gulf between Golf and Guff. A talented golfer and his equally-talented yet disruptive caddy enter golfing tournaments and end up in comedy. Kinda like Tiger Woods. THE CADDY opens with massive crowds jamming the streets of New York. They’re all cheering at something high in one of the hotels lining the street. Flyers are seen fluttering down onto the … Read More

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SCARED STIFF

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Dead Serious Comedy. Every comedy team needs its ABBOTT AND COSTELLO MEET FRANKENSTEIN moment. Dean Martin and Jerry Lewis get theirs in SCARED STIFF, ironically a remake of THE GHOST BREAKERS (1940), which starred Bob Hope, one of their comedy compatriots/rivals. A nightclub singer, Larry Todd (Dean Martin), and his busboy buddy Myron (Jerry Lewis) get tangled up with the … Read More

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JUMPING JACKS

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Jumping to Contusions. JUMPING JACKS marks the third time Martin and Lewis have been in the military. Army, Navy, now Paratroopers. Through an identity mixup, civilian Hap Smith (Jerry Lewis) finds himself in the paratroopers with his old nightclub partner, private Chick Allen (Dean Martin); though Chick tries to protect Hap from the authorities and discovery, he finds that Hap … Read More

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