Inconstantine. Beautifully shot in ochre tinge, evoking a mythopoeic superstructure, creative camera bespeaking thoughtful setups and engaging angles, striking cinematography accentuating iconic imagery and mellifluous art direction, it’s a pity CONSTANTINE is such an insensate, half-headed dog of a film. This movie was better when it was called THE MATRIX. Traversing between two parallel dimensions, Neo – I mean, John … Read More