LUCKY NUMBER SLEVIN

Poffy The Cucumber

Überhip Ünderworld. Embedded in the canon of hip street-thuggery, there is Scorcese’s GOODFELLAS, there is Tarantino’s PULP FICTION, there is Ritchie’s SNATCH – all periodically panned for their filmic stylings, yet garnering indirect accolades through their wealth of imitators – but if there is such a thing as “too hip,” Paul McGuigan‘s LUCKY NUMBER SLEVIN would be choking on its … Read More

UNFORGIVEN

Poffy The Cucumber

Let’s get one thing straight: There are those uneducated few of this Earth who contend that UNFORGIVEN is merely a “boring western.” Rest assured I am systematically hunting down these deviants and canceling their membership to Blockbuster Video – permanently. If you know what I mean. If you are one these few – remember, I am watching you. And I … Read More

BATMAN BEGINS

Poffy The Cucumber

Dark Knight Reconstructionist Theory. Droves of bats against an ocher sunset, teasing out the infamous Bat Logo on the sky with their swarming bodies; the first five seconds of BATMAN BEGINS are scintillating. Then it just keeps getting better. If there is bedrock truth in the axiom, “If it ain’t broke, don’t fix it,” then surely the inverse is also … Read More

THE SUM OF ALL FEARS

Poffy The Cucumber

The Dumb of All Fears. Not since Marky Mark replaced Charlton Heston in Tim Burton’s remarkable film about ape-poo, has there been such an inadequate, impotent re-imagining of a well-known filmic character. In THE SUM OF ALL FEARS, Jack Ryan, CIA gadfly, has morphed from Alec Baldwin’s Runway-Model Ryan (equivalent to Roger Moore’s Bond), to Harrison Ford’s Real Man Ryan … Read More