Bridal Cower. A film with charm, grace and laughs, FATHER OF THE BRIDE is a rarity in the pantheon of White American Romantic Comedies (WARC). Firstly, because it’s watchable. Secondly, because it is post-comedy Steve Martin and it’s still watchable. Remade from the 1950 Spencer Tracy farce of the same name, director Charles Shyer retains that film’s original twist on … Read More
FATHER OF THE BRIDE PART II
The sequel doesn’t fall far from the remake. Two pregnant chicks. Male demographic fleeing into the night, cries of “eeurw” and “gimme a break” issuing like feculence into the slipstream of retreat. It was so easy to use someone else’s ideas to remake the 1950 film FATHER OF THE BRIDE that director-writer husband-wife team Charles Shyer and Nancy Meyers use … Read More
IT’S COMPLICATED
Glengarry Glen Ruse. Writer-director Nancy Meyers discovers in her late 50s what all men realize in their early 20s – that you can ALWAYS go back to previous panty. And it’s not wrong or right or immoral or unethical. As long as you do it behind everyone’s back. Alec Baldwin shows us how to Always Be Closing in IT’S COMPLICATED, … Read More
SOMETHING’S GOTTA GIVE
Something’s gotta give – Jack’s heart, Diane’s hips, or my patience. Two white, upper class American senior citizens are thrown together, hate each other, and eventually fall in love. State of romantic comedy in America… yawn. Erica (Diane Keaton) hates Harry (Jack Nicholson) because he dates her daughter (Amanda Peet), and he demeans her for being stuck-up. He owns record … Read More