Punch drunk love. Clint Eastwood‘s magnificent tone-poem of determination, redemption, salvation, loyalty, guilt… oh, and there’s some boxing and stuff… MILLION DOLLAR BABY is as much a “boxing movie” as UNFORGIVEN is a “cowboy movie.” That is to say, not at all. (Simpletons: “Say wha–?”) Sure, Clint plays a boxing trainer, Frankie Dunn, in a boxing gym, surrounded by boxers … Read More
QUANTUM OF SOLACE
Quorum of Stinkus. Stunt, stunt, stunt, crash. Stunt, stunt, stunt, crash. Explosion. QUANTUM OF SOLACE, directed by Marc Foster like a speed freak, and edited by Matt Chesse and Richard Pearson like a chicken fight in a monkey house, makes THE BOURNE IDENTITY look like MY DINNER WITH ANDRE. As I watched the opening car chase grind metal, and the … Read More
IN THE VALLEY OF ELAH
Into the Valley of Death… ‘Forward, the Light Brigade!’ Was there a man dismay’d ? Not tho’ the soldier knew Some one had blunder’d: Theirs not to make reply, Theirs not to reason why, Theirs but to do & die, Into the valley of Death Rode the six hundred. — “The Charge of The Light Brigade,” Alfred, Lord Tennyson. The … Read More
CASINO ROYALE 2006
Old Spy, New World, Tight Arse. It will always be a problem introducing the world to a new Bond. When Sean Connery was hired, it was a disaster because it wasn’t David Niven. – Barbara Broccoli. International espionage will never be the same. It is now certifiably MAN-HOT. Craig. Daniel Craig. Last seen in London baking a LAYER CAKE (2004) … Read More
LETTERS FROM IWO JIMA
The Devil wears Red, White and Blue. Kurosawa could not have done it better. Promethean director Clint Eastwood‘s LETTERS FROM IWO JIMA, followup to his daring FLAGS OF OUR FATHERS, is culturally, philosophically and artistically one of the great Japanese films. Made In America. Unlike FLAGS, this Iwo Jima tale has nothing to do with Joe Rosenthal‘s photograph, instead told … Read More
FLAGS OF OUR FATHERS
Raising Glory: the sham behind the glam. When the legend becomes fact, print the legend. – Reporter, THE MAN WHO SHOT LIBERTY VALANCE (1962). Director Clint Eastwood‘s waving-flag film is, ironically and thankfully, the farthest from a Flag Waving maroon-necker as a post 9-11 American movie can be. When I learned of this film’s production last year, I admit to … Read More