Poffy The Cucumber

Überhip Ünderworld. Embedded in the canon of hip street-thuggery, there is Scorcese’s GOODFELLAS, there is Tarantino’s PULP FICTION, there is Ritchie’s SNATCH – all periodically panned for their filmic stylings, yet garnering indirect accolades through their wealth of imitators – but if there is such a thing as “too hip,” Paul McGuigan‘s LUCKY NUMBER SLEVIN would be choking on its … Read More

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