The Dork World. Does anyone know what is going in THOR: THE DARK WORLD? Certainly not Thor, whose idea of “governing” is punching people. This sequel to THOR (2011) is like watching four grandiose movies squashed into the space of bitches slapping each other in a reality show. Marvel movies have so far been devoid of overwrought prelude backstories. Not … Read More
Blammo Brigade finds Intelligence. Artificially. AVENGERS: AGE OF ULTRON is not just your same ole blammo-fest with sugarbottom; merely the second movie in the AVENGERS franchise, ULTRON has moved leaps and bounds beyond its predecessor. Yes, there is blammo, but interspersed liberally with morally ambiguous characterization, tentative romance, quiet introspection, self-effacing humor and – that trend in modern plot devices … Read More
Hero-Palooza Shakespearean lightning and thunder arrows, red white and blue shields and golden armor, emerald rage and badass Morpheus longcoat, and Scarlett Johansson’s leather pearbottom. Oh AVENGERS, how sweet thou fury! The god Loki (Tom Hiddleston, Brit-leering and still looking like Data from STAR TREK GENERATIONS) has come to Earth from Asgard to conquer and destroy. And Earth’s mightiest heroes … Read More
Godliness is next to prettiness. Director Kenneth Branagh brings THOR to the big screen with all the respect that a Thunder God deserves and all the cut obliques that a woman craves. And having Mr. Branagh at the helm explains the preponderance of British accents. Banished to Earth for his arrogance, the Norse god of bad weather, Thor, must learn … Read More
Beautiful mind versus beautiful beard. All hail the *intelligent* screenplay! GOOD WILL HUNTING pairs “Bahston” boys Matt Damon and Ben Affleck in their first, and arguably most powerful, bromance to date (excepting maybe their turns as marauding angels in Kevin Smith’s DOGMA); written by Damon and Affleck, who deserve every inch of their little gold man (Best Screenplay 1998), a … Read More
Dopey Popey. Another fine mess the Catholic Church has gotten us into! Tom Hanks returns in ANGELS & DEMONS as Robert Langdon, atheist symbologist from THE DA VINCI CODE (2006), a little trimmer, a little wiser, a little more action man and a little less Vitruvian Man. The Pope has just died and the archbishops next in line to be … Read More
Re-educating the slaves of perception. AMISTAD, one of the modern hammers to beat Whitey upside the head for his past, present and future racism. No metaphors, no allegories, no analogies – this is straight up, in-ya-face, naked mea culpa racism for all the world to be ashamed of. Director Steven Spielberg‘s powerful, insightful AMISTAD suffers from the usual problem associated with … Read More
Jack-ing the Sparrow. PIRATES OF THE CARIBBEAN: AT WORLD’S END: a whole lotta something that ends up a whole lotta nothing. Director Gore Verbinski puts so much effort into this summer blockbuster that it boggles the rational part of the brain – look at that cinematography, look at that set dressing, look at that costuming and attention to detail on … Read More
Captain Jack will get you high tonight… PIRATES OF THE CARIBBEAN: DEAD MAN’S CHEST is pure ham and cheese. Lots of sauce. Lots of dressing. Hold the onions. Director Gore Verbinski‘s sequel to his PIRATES OF THE CARIBBEAN: THE CURSE OF THE BLACK PEARL (2003) is a spectacle to behold, a hedonistic bombast of swashbuckling high-sea hijinks, sun-seared tropical environs, … Read More