Dog of a film. A meandering story with no throughlines, no payoffs and no plot, that everyone says we have to love, because it’s gay. And that’s totally gay. THE POWER OF THE DOG is simply boring, pretentious, attempted art-cinema, for faux-sophisticates and LGBTQ to fawn over and tease out psychodrama and social messages. About a ranch-hand in 1925 Montana, … Read More