Bringing the sexy back. James Bond 007 is back, with a savage demeanor, a rocket-shooting car, a KGB plot, an illegal arms deal, a beautiful blonde, an even more beautiful secretary, and a double double-cross. THE LIVING DAYLIGHTS takes its title from Ian Fleming’s 14th book and final collection of Bond short stories published in 1966, Octopussy and The Living … Read More
A VIEW TO A KILL
A View To A Stuntman. 57-year-old Roger Moore finally ages out of the Bond franchise, in his seventh and final fling as James Bond 007 in A VIEW TO A KILL, a movie that could easily win the prize for The Stuntman Most Looking Not Like The Star. The title is from the Ian Fleming short story From a View … Read More
OCTOPUSSY
Eight times the vagina. James Bond was this close to being James Brolin. After five films as Bond, Roger Moore was ready to quit, he himself feeling that his age was becoming an untenable factor in the action-packed life of his playboy spy. After Moore’s previous film, FOR YOUR EYES ONLY, Albert “Cubby” Broccoli’s EON Productions went hunting for another … Read More
FOR YOUR EYES ONLY
A film that goes Greek on us… James Bond 007 retrieves a missile controller from a sunken British warship, and helps a Greek woman avenge her parents’ murder while trying to go Greek on her. In the cold open, we meet Bond (Roger Moore, 5th time) laying flowers on the grave of Teresa Bond, “Beloved Wife of James Bond. We … Read More
THE SPY WHO LOVED ME
Spy Sandwich. James Bond 007 joins forces with his Russian counterpart Agent XXX to stop a megalomaniac sinking civilization beneath the sea. THE SPY WHO LOVED ME is Roger Moore’s 3rd Bond movie (from Ian Fleming’s 10th Bond novel, publ. 1962), and we can see how Moore’s fans might have come to regard him as “better than Connery” with this … Read More