When Wrongs Make Right. What makes DC’s THE SUICIDE SQUAD of 2021, different from their 2016 movie of the almost same name, SUICIDE SQUAD? Well, many more things than just THE – R-rated, deeper characterization, rapscallion director, premium swearing, delicious gore, and moral ambiguity right up the chocolate starfish. Written and directed by James Gunn, it’s better in many ways … Read More
GALLIPOLI
Military Unintelligence. Peter Weir’s stirring anti-war epic, GALLIPOLI, has a heart as large as Western Australia, a sweep as wide as its blue-chiseled skies and – Mel Gibson’s naked 24-year-old bottom. GALLIPOLI is not about Gallipoli. The botched Australian and New Zealand Armed Corp (ANZAC) landing at that Turkish beach in 1915 is merely the backdrop to Weir’s wondrous character … Read More
LOCK, STOCK AND TWO SMOKING BARRELS
LOCK, STOCK comes at us with two smoking barrels. “Right! Let’s sort the buyers from the spyers, the needy from the greedy and those who love me from the ones who don’t…” Bacon (Jason Statham) and Eddie (Nick Moran) work a street crowd with their hot merchandise. Cops. They flee. When the film suddenly crashes into super-slomo, and a hard, … Read More
SNATCH
SNATCH will grab. Released on the heels of his stylish, dangerous LOCK, STOCK AND TWO SMOKING BARRELS, SNATCH simultaneously solidified the grit-edged, flamethrower directorial style of Guy Ritchie, even as it launched Jason Statham into his TRANSPORTER leading man roles; heralded an altogether explosive performance from Alan Ford as Brick Top; proved yet again the go-to value of Rade Sherbedgia … Read More